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The Early Christian Church and Secular Song

the early christian church and secular song

the early Christian church: musical thought

roman music:

  • lyric poetry often song

  • music part of most public ceremonies

  • greek architecture, music, and philosophy imported into rome

roman empire decline:

  • Christian church gained influence

  • church fathers interpret bible, set down principles

    • similar to ancient greeks

    • beautiful things exist to remind us of divine and perfect beauty, not to inspire self-centered enjoyment or seduce our senses

  • Christian church became the main and often only unifying force and channel of culture in europe

  • church took over rome's mission of civilizing and unifying the peoples under its sway

  • music was used to influence the people

transmission of greek music theory:

  • martianus capella described the seven liberal arts - verbal arts (trivium), mathematical disciplines (quadrivium - included music because its mathematical relationships seemed to explain the universe)

  • boethius was the most revered authority on music in the middle ages

  • de institutione musica treats music as a science of numbers

  • borrowed lots from greek sources

the early Christian church: musical practice

greek legacy:

  • greek music was a heavy influence for the first two or three centuries but church leaders rejected their idea of cultivating music purely for enjoyment - wanted to wean converts away from anything associated with their pagan past

  • early church leaders saw music as servant of religions

  • Christian music became unaccompanied singing

Judaic heritage:

  • some elements of Christian observances derive from Jewish traditions

    • chanting and singing of scripture and psalms

  • both traditions relied on vocal music in worship services

  • strophic devotional songs/hymns began to emerge as the early church spread

  • strophic form - music repeats and melody stays the same with changing text

eastern and western churches:

  • 395 ce - eastern and western empires split, followed by eastern and western churches

  • western church - Catholic, ruled from rome

  • eastern church - orthodox, byzantine, blend of cultures

  • western churches in italy, france and germany developed chants; most local versions of chants disappeared or were absorbed into the single uniform practice under the authority of the roman Catholic church

    • constantinople

    • western church became increasingly romanized

  • monks preserved chants by learning to sing and notate them - gregorian chants

key facts

  • music consisted of a single melodic line

  • vocal melody was intimately linked with the rhythm and meter of words

  • musical performances were memorized or improvised

  • philosophers believed music was both an orderly system interlocked with nature and a force in human thought and conduct

  • a scientifically based acoustical theory was in the making

  • scales were built up from tetrachords

  • musical terminology was well developed

medieval song

goliard songs:

  • oldest written secular songs, latin texts

  • goliards - poets and composers who were students or clerics and exalted a libertine lifestyle

  • celebrate wine, women, satire

  • music does not survive in precise notation

  • early manifestation of literacy

jongleurs:

  • sung by jongleurs (minstrels)

    • traveled from village to village entertaining

    • social outtcasts, denide protection of the law

  • troubadours and trobairitz were poet-composers who flourished in france

    • created and sang their own songs - mainly about love but covered other topics too

    • very well thought of, unlike jongleurs

    • most songs were about their social lives and complaint songs about their love lives

    • basically the influencers of the medieval era

    • composition was competitive, oral tradition

    • troubadours - southern france

    • trouveres - northern france

  • variety and ingenuity

  • refrain is a line or two of poetry that returns with its own music from one stanza to another, each stanza sung to the same melody

  • narrow range

minnesinger:

  • modeled after the troubadours

  • sang about love in an abstract and religious way

  • tunes were more tightly organized, used bar (aab) form

  • songs about spring, dawn, crusade songs

  • cantigas de santa maria - collection of songs honouring the Virgin Mary

BD

The Early Christian Church and Secular Song

the early christian church and secular song

the early Christian church: musical thought

roman music:

  • lyric poetry often song

  • music part of most public ceremonies

  • greek architecture, music, and philosophy imported into rome

roman empire decline:

  • Christian church gained influence

  • church fathers interpret bible, set down principles

    • similar to ancient greeks

    • beautiful things exist to remind us of divine and perfect beauty, not to inspire self-centered enjoyment or seduce our senses

  • Christian church became the main and often only unifying force and channel of culture in europe

  • church took over rome's mission of civilizing and unifying the peoples under its sway

  • music was used to influence the people

transmission of greek music theory:

  • martianus capella described the seven liberal arts - verbal arts (trivium), mathematical disciplines (quadrivium - included music because its mathematical relationships seemed to explain the universe)

  • boethius was the most revered authority on music in the middle ages

  • de institutione musica treats music as a science of numbers

  • borrowed lots from greek sources

the early Christian church: musical practice

greek legacy:

  • greek music was a heavy influence for the first two or three centuries but church leaders rejected their idea of cultivating music purely for enjoyment - wanted to wean converts away from anything associated with their pagan past

  • early church leaders saw music as servant of religions

  • Christian music became unaccompanied singing

Judaic heritage:

  • some elements of Christian observances derive from Jewish traditions

    • chanting and singing of scripture and psalms

  • both traditions relied on vocal music in worship services

  • strophic devotional songs/hymns began to emerge as the early church spread

  • strophic form - music repeats and melody stays the same with changing text

eastern and western churches:

  • 395 ce - eastern and western empires split, followed by eastern and western churches

  • western church - Catholic, ruled from rome

  • eastern church - orthodox, byzantine, blend of cultures

  • western churches in italy, france and germany developed chants; most local versions of chants disappeared or were absorbed into the single uniform practice under the authority of the roman Catholic church

    • constantinople

    • western church became increasingly romanized

  • monks preserved chants by learning to sing and notate them - gregorian chants

key facts

  • music consisted of a single melodic line

  • vocal melody was intimately linked with the rhythm and meter of words

  • musical performances were memorized or improvised

  • philosophers believed music was both an orderly system interlocked with nature and a force in human thought and conduct

  • a scientifically based acoustical theory was in the making

  • scales were built up from tetrachords

  • musical terminology was well developed

medieval song

goliard songs:

  • oldest written secular songs, latin texts

  • goliards - poets and composers who were students or clerics and exalted a libertine lifestyle

  • celebrate wine, women, satire

  • music does not survive in precise notation

  • early manifestation of literacy

jongleurs:

  • sung by jongleurs (minstrels)

    • traveled from village to village entertaining

    • social outtcasts, denide protection of the law

  • troubadours and trobairitz were poet-composers who flourished in france

    • created and sang their own songs - mainly about love but covered other topics too

    • very well thought of, unlike jongleurs

    • most songs were about their social lives and complaint songs about their love lives

    • basically the influencers of the medieval era

    • composition was competitive, oral tradition

    • troubadours - southern france

    • trouveres - northern france

  • variety and ingenuity

  • refrain is a line or two of poetry that returns with its own music from one stanza to another, each stanza sung to the same melody

  • narrow range

minnesinger:

  • modeled after the troubadours

  • sang about love in an abstract and religious way

  • tunes were more tightly organized, used bar (aab) form

  • songs about spring, dawn, crusade songs

  • cantigas de santa maria - collection of songs honouring the Virgin Mary