Title
First and Second āTā in TPFASSTT
Paraphrase
āPā in TPFASSTT (you are encouraged to skip this one for the exam)
Figurative Devices
āFā in TPFASSTT
Attitude
āAā in TPFASSTT. Also referred to as tone
Shifts
First āSā in TPFASSTT
Speaker
Second āSā in TPFASSTT
Theme
Last āTā in TPFASSTT
Assonance
Close repetition of similar vowels in conjunction with dissimilar consonant sounds, as in the phrase tilting at windmills, where the short āiā sound is similar
Blank verse
Verse of unrhymed lines of iambic pentameter (5 iambs of unstressed-stressed: U / U / U / U / U / ) such as in Shakespeareās plays. It is believed to be the poetic pattern closest to natural speech.
Caesura
Pause in a poetic line, usually denoted by punctuation such as a semicolon or comma. Have degrees of strength, and when scanning a line of poetry are denoted with a double bar: Lose something every day. || Accept the fluster / of lost door keys.
Consonance
Repetition of consonant sounds in conjunction with dissimilar vowel sounds, as in blank-think, strong-string, fair-fear.
End Rhyme
Rhyming words that repeat at the end of lines.
Enjambment
Continuation of grammatical structure in a poem beyond the end of a line, couplet, or stanza and into the next. Also called run-on line. Does she not seem / to insignificant for our concern? This is the opposite of an end-stopped line, where the natural grammatical pause coincides with the end of a line (via comma or semicolon).
Exact Rhyme
Rhyme in which words have identical sounds: dear / sneer, light / night. Also called perfect or full rhyme. Contrast with eye rhyme and slant rhyme.
Eye Rhyme
Rhyme that gives the impression of exact rhyme by its appearance, but the words do not have identical sounds: come/home, forth/worth, prove/love, rain/again. See half rhyme and slant rhyme. Contrast with exact rhyme.
Foot (Metric)
Unit of rhythm in a poetic line: long/short, stressed/unstressed. āI Wandered Lonely as a Cloudā uses tetrameter (four feet per line).
Monometer
One foot per line.
Dimeter
Two feet per line.
Trimeter
Three feet per line.
Tetrameter
Four feet per line.
Pentameter
Five feet per line.
Hexameter
Six feet per line.
Heptameter
Seven feet per line.
Octameter
Eight feet per line.
Iambic Pentameter
Poetic line of five iambs. Common in English poetry.
Free Verse
Verse with no regular meter or line length and depends on natural speechās rhythms.
Half Rhyme
Rhyme that relies on consonance of the final consonants of words, which may be deliberate or due to lack of skill. Soul/all, bodies/ladies, ill/shell. Also called sprung or near rhyme. See eye rhyme and slant rhyme. Contrasts with exact rhyme.
Lyric Poetry
Poetry in which the poet expresses personal thoughts and feelings, having the form and qualities of a song.
Meter
Pattern of stressed / and unstressed U syllables.
Ode
Lyric poem that honors something (often an everyday object) through a stately tone and style.
Euphony
Having flowing pleasant sounds, usually produced by vowels.
Cacophony
Having harsh, discordant sounds.
Vowel Sounds
Use of long vowel sounds, as in coat O, hide I, and short vowel sounds as in off o and insect i
Double Consonants
Use of two consonants in a row: parallel, kennel, swelling
Dental Sounds
Use of T, TH, D, N, and L: thing, dog, love, no
Elision
Leaving out an unstressed syllable or vowel to keep the meter of a poetic line regular: over vs. oāer
Fricative Sounds
Use of F, Z, and S: fee, suit, zoo
Plosive Sounds
Use of P, D, T: tap, debt
Sibilant Sounds
Subset of fricative sounds. Using hissing sounds from S, SH, Z, and sometimes C: sun, cent, scent
Poetic License
Liberty allowed to the poet to work or even distort the language according to their needs.
Closed Poetry
Fixed form, structure, and pattern such as rhyme, line length, and meter. Sonnets and villanelles are examples.
Open Poetry
Lacks regularity and consistency in form and structure.
Refrain
Phrase, line, or lines repeated at intervals during a poem or narrative.
Scansion
Analysis of verse into metrical patterns.
Slant Rhyme
Rhyme that is not true, either deliberately or due to lack of skill. Other/powder. Compare to eye rhyme and half rhyme. Contrast with exact rhyme
Sonnet
14-line verse form usually using iambic pentameter and having a conventional rhyme scheme.
Shakespearean Sonnet
Having three quatrains and a couplet, with the rhyme scheme of ABAB CDCD EFEF GG
Spenserian Sonnet
Three quatrians and a couplet, but with the rhyme scheme ABAB BCBC CDCD EE
Petrarchan Sonnet
Having an octave, then a sestet with the rhyme scheme ABBAABBA then ending in CDECDE OR CDCDCD. First octave usually present a thought, picture, or emoton. Final sestet presents an explanation, comment, or summary.
Couplet
Stanza or poem of 2 lines
Tercet
Stanza or poem of 3 lines
Quatrain
Stanza or poem of 4 lines
Quintet
Stanza or poem of 5 lines
Sestet
Stanza or poem of 6 lines
Septet
Stanza or poem of 7 lines
Octave
Stanza or poem of 8 lines
Villanelle
Poetry having 5 tercets and a final quatrain: 19 lines total. The first and third lines of the first tercet recur alternately in the following stanzas as a refrain and form a final couplet, creating the rhyme scheme ABA, ABA, ABA, ABA, ABAA.
Title, Paraphrase, Figurative Language, Attitude, Shift, Speaker, Title, Theme
Full order of TPFASSTT (separate with commas, all singular)