tension between antony and men 1 act 1 scene 1
'The triple pillar of the world transformed/ into a strumpet's fool.'
tension between antony and men 2 act 1 scene 1
His captain's heart.... And is become the bellows and fan/ To cool a gipsy's lust'
tension between egypt and rome act 2 scene 6
'he will to his Egyptian dish again'
tension between egypt and rome 2 act 2 scene 6
'Grew fat with feasting there'
tension between egypt and rome 3 act 1 scene 5
'In Egypt with his joy'
political conflict 1
'you have done well by water.' 'and you by land'
political conflict 2
'whose fortunes shall rise higher, Caesars or mine?'
political conflict 3 act 3 scene 13
'When half to half the world opposed'
symbolism foreshadowing 1 act 1 scene 2
'You shall outlive the lady whom you serve'
foreshadowing 2 act 1 scene 2
'O, excellent! I love long life better than figs'
symbolism serpent act 1 scene 5
'Where's my serpent of old Nile'
identity 1 act 1 scene 2
'These strong Egyptian fetters I must break,/Or lose myself in dotage'
identity 2 act 1 scene 3
'What, says the married woman you may go?'
identity 3 act 1 scene 4
'is not more manlike/Than Cleopatra, nor the Queen of Ptolemy/more womanly than he'
identity 4 act 4 scene 14
'Here I am Antony,/yet cannot hold this visible shape,'
identity 5 act 4 scene 2
'A mangled shadow'
power 1 act 4 scene 14
"The star is fallen"
power 2 act 5 scene 2
"O eastern star!’
power 3 act 1 scene 2
'Hush, here comes Antony' 'Not he the Queen'
power 4 act 3 scene 10
'The greater cantle of the world is lost'
women 1 act 1 scene 3
'See where he is, who's with him, what he does:/I did not send you: if you find him sad,/ Say I am dancing; if in mirth, report/ That I am sudden sick: quick, and return.'
women 2 act 4 scene 8
'Lord of lords!/O infinite virtue!'
women 3 act 1 scene 1
'when shrill-tongued Fulvia scolds'
women 4 act 2 scene 2
'Rare Egyptian'
women 5 throughout
‘whore’ ‘strumpet’ ‘gipsy’ ‘serpent’